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not as something that has to be removed as society had taught me (and us women)
exhibited and published in the book Anime Meo (2019)
The work is finished with oils
which I wanted to document on canvas
Photopolymer etching in Kozo Misu
Elysium #01 Monochromatic not as something that hasArtwork part of the series Elsewhere, which takes an introspective dive into my own immigrating journey to Finland, and the feelings of isolation consequently involved, using the landscape as a tool for emotional catharsis. I present a space for contemplation, interwinding elements of poetic narration, infrared photography and references to pictorialism. It reflects upon the deeper material connection between landscape and image making through an
