Kaitlyn Aurelia Smith - Gush IGGY POP Fernweh draws together synthesized and

Fernweh draws together synthesized and musique concrète materials into a drifting assemblage

Three more LPs followed in the coming years: X-Traordinaire in 1980

intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track

and exuberant jam of 'Queen Bitch'

but this time we were able to sit in the same room and I think that really shows

Kaitlyn Aurelia Smith - Gush IGGY POP Fernweh draws together synthesized andKaitlyn Aurelia Smith is a classically trained American composer, performer, and producer from the Pacific Northwest. Her music is a form of auditory interpretation, powered by curiosity and her toolkit of modular, analog, and rare synthesizers (including her signature Buchla), orchestral textures, and voice. Since her first self releases in 2012 (Tides), she has explored the endless possibilities of electronic instruments and the relationship between