William J. Simmons Queer Formalism: The Return #MiracleSeltzer Clowns of Hyperspace is the

Clowns of Hyperspace is the third official publication from Roberts

Taking a Line for a Walk brings attention to something that is often neglected: the assignment as a pedagogical element and verbal artefact of design education

exploring his roots in Japan

“TAJ MAH BALLS WAS ORIGINALLY CONCEIVED AS A JOKE/TARGET-THE-WALL-STREET-BROS-IN-ORDER-TO-GET-RICH-QUICK-FOOD-TRUCK SCHEME – IT WAS MEANT TO TAKE FAMILIAR INDIAN FLAVORS AND PACKAGE THEM INTO MEATBALL FORM

at Museum of Contemporary Art Tokyo

William J. Simmons Queer Formalism: The Return #MiracleSeltzer Clowns of Hyperspace is theA new kind of queer art writing. Queer Formalism: The Return expands upon William J. Simmons's original, influential essay Notes on Queer Formalism from 2013, offering novel ways of thinking about queer feminist art outside of the critical complicit and abstract representational binaries that continue to haunt contemporary queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art