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Meehan's celebration of the power of dream and of song is neither escape nor hermetic retreat
A work for our times
but reveal a subtle underscurrent of continued questioning of the world around us
Abdu Khal – Excerpt from the novel Clay
and how we adapt to the passage of time
Mister N Rosie Shepperd Meehan's celebration of the powerModern day Beirut is seen through the eyes of a failed writer, the eponymous Mister N. He has left his comfortable apartment and checked himself into a hotel he thinks. Certainly, they take good care of him there. Meanwhile, on the streets below, a grim pageant: poverty, violence and fear. How is anyone supposed to write deathless prose in such circumstances? Let alone an old man like Mister N., whose life and memories have become scattered, whose
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